Lenore Tawney’s Mysterious Moments
“A Dry Cry from the Desert” (sculpture 1970) A wooden box—smooth and unfinished—perhaps of pine and still retaining the resinous smell of pitch. At the rear of the box—a drawing of a skeletal hand. In front of this—a three-dimensional skeletal hand—lightly
Tàpies and Discontinued Line
Línia discontínua (Discontinued Line), 1967 Mixed media on canvas Link to image in the Fundación Juan March (scroll to middle of page) All parts of this picture are white—not white exactly though, not the same white as new-fallen snow, not a winter white,